The Politics and Poetics of Black Film: Nothing But a Man
(eBook)

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Published
Indiana University Press, 2015.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780253018502

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Citations

APA Citation, 7th Edition (style guide)

Various Authors., & Various Authors|AUTHOR. (2015). The Politics and Poetics of Black Film: Nothing But a Man . Indiana University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. 2015. The Politics and Poetics of Black Film: Nothing But a Man. Indiana University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. The Politics and Poetics of Black Film: Nothing But a Man Indiana University Press, 2015.

MLA Citation, 9th Edition (style guide)

Various Authors, and Various Authors|AUTHOR. The Politics and Poetics of Black Film: Nothing But a Man Indiana University Press, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID3fcaec6d-cbc1-434c-daec-c7f6c6c39e58-eng
Full titlepolitics and poetics of black film nothing but a man
Authorauthors various
Grouping Categorybook
Last Update2023-08-26 20:01:13PM
Last Indexed2024-04-18 00:18:08AM

Book Cover Information

Image Sourcehoopla
First LoadedDec 12, 2022
Last UsedJul 18, 2023

Hoopla Extract Information

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            [0] => Film & Video
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    [synopsis] => Written and directed by two white men and performed by an all-black cast, Nothing But a Man (Michael Roemer, 1964) tells the story of a drifter turned family man who struggles with the pressures of small-town life and the limitations placed on him and his community in the Deep South, an area long fraught with racism. Though unmistakably about race and civil rights, the film makes no direct reference to the civil rights movement. Despite this intentional absence, contemporary audiences were acutely aware of the social context for the film's indictment of white prejudice in America. To help frame and situate the film in the context of black film studies, the book gathers primary and secondary resources, including the original screenplay, essays on the film, statements by the filmmakers, and interviews with Robert M. Young, the film's producer and cinematographer, and Khalil Gibran Muhammad, the Director of the Schomburg Center for Research in Black Culture.
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    [series] => Studies in the Cinema of the Black Diaspora
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