The Masterwork in Music: Volume I, 1925
(eBook)

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Published
Dover Publications, 2014.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780486799353

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Citations

APA Citation, 7th Edition (style guide)

Heinrich Schenker., Heinrich Schenker|AUTHOR., Richard Kramer|AUTHOR., Hedi Siegel|AUTHOR., & William Drabkin|AUTHOR. (2014). The Masterwork in Music: Volume I, 1925 . Dover Publications.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Heinrich Schenker et al.. 2014. The Masterwork in Music: Volume I, 1925. Dover Publications.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Heinrich Schenker et al.. The Masterwork in Music: Volume I, 1925 Dover Publications, 2014.

MLA Citation, 9th Edition (style guide)

Heinrich Schenker, et al. The Masterwork in Music: Volume I, 1925 Dover Publications, 2014.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID620e4259-7764-0653-324a-cc1a8e0d750f-eng
Full titlemasterwork in music volume i 1925
Authorschenker heinrich
Grouping Categorybook
Last Update2022-10-18 21:40:45PM
Last Indexed2024-04-20 01:13:59AM

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    [synopsis] => The three volumes of The Masterwork in Music present complete English translations of major works by Austrian music theorist Heinrich Schenker, one of the twentieth century's leading figures in the field. First published in German between 1925 and 1930, these essays represent Schenker's greatest writings in analysis prior to the 1935 definitive formulation of his theory of music in Der freie Satz (Free Composition). This new publication of the long-awaited English translation, which first appeared in the distinguished Cambridge University Press edition, provides a valuable resource for scholars. Editorial annotations and elucidations by Dr.William Drabkin and his translators offer additional insights. Volume One includes analyses of keyboard pieces by Bach, Scarlatti, Chopin, and Beethoven, along with studies of solo violin music by Bach. Volume Two contains a major essay on Mozart's Symphony No. 40 in G minor and shorter studies of works by Bach, Haydn, and Reger. Volume Three's contents include Schenker's celebrated analysis of Beethoven's "Eroica" Symphony and other works.
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