Defining Women
(eBook)

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Published
The University of North Carolina Press, 2000.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780807860960

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Citations

APA Citation, 7th Edition (style guide)

Julie D'Acci., & Julie D'Acci|AUTHOR. (2000). Defining Women . The University of North Carolina Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Julie D'Acci and Julie D'Acci|AUTHOR. 2000. Defining Women. The University of North Carolina Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Julie D'Acci and Julie D'Acci|AUTHOR. Defining Women The University of North Carolina Press, 2000.

MLA Citation, 9th Edition (style guide)

Julie D'Acci, and Julie D'Acci|AUTHOR. Defining Women The University of North Carolina Press, 2000.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work IDf1442552-4737-9541-f479-769c79358014-eng
Full titledefining women
Authordacci julie
Grouping Categorybook
Last Update2023-08-27 20:00:41PM
Last Indexed2024-04-20 03:33:40AM

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    [synopsis] => Defining Women explores the social and cultural construction of gender and the meanings of woman, women, and femininity as they were negotiated in the pioneering television series Cagney and Lacey, starring two women as New York City police detectives. Julie D'Acci illuminates the tensions between the television industry, the series production team, the mainstream and feminist press, various interest groups, and television viewers over competing notions of what women could or could not be--not only on television but in society at large.      Cagney and Lacey, which aired from 1981 to 1988, was widely recognized as an innovative treatment of working women and developed a large and loyal following. While researching this book, D'Acci had unprecedented access to the set, to production meetings, and to the complete production files, including correspondence from network executives, publicity firms, and thousands of viewers. She traces the often heated debates surrounding the development of women characters and the representation of feminism on prime-time television, shows how the series was reconfigured as a 'woman's program,' and investigates questions of female spectatorship and feminist readings. Although she focuses on Cagney and Lacey, D'Acci discusses many other examples from the history of American television.
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