Nagauta: The Heart of Kabuki Music
(eBook)

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Published
Tuttle Publishing, 2006.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781462913053

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Citations

APA Citation, 7th Edition (style guide)

William P. Malm., & William P. Malm|AUTHOR. (2006). Nagauta: The Heart of Kabuki Music . Tuttle Publishing.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

William P. Malm and William P. Malm|AUTHOR. 2006. Nagauta: The Heart of Kabuki Music. Tuttle Publishing.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

William P. Malm and William P. Malm|AUTHOR. Nagauta: The Heart of Kabuki Music Tuttle Publishing, 2006.

MLA Citation, 9th Edition (style guide)

William P. Malm, and William P. Malm|AUTHOR. Nagauta: The Heart of Kabuki Music Tuttle Publishing, 2006.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDa89f5066-b5fc-34b1-50f4-a84d1e40d430-eng
Full titlenagauta the heart of kabuki music
Authormalm william p
Grouping Categorybook
Last Update2024-02-08 19:13:37PM
Last Indexed2024-04-20 02:23:29AM

Book Cover Information

Image Sourcehoopla
First LoadedNov 11, 2022
Last UsedDec 15, 2023

Hoopla Extract Information

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    [synopsis] => This study of Japanese music explore Nagauta or literally "long song"-the delicate and complex music that accompanies kabuki theater-in great detail. The Kabuki theater of Japan has achieved a growing reputation as one of the world's most brilliant achievements in the field of theater. And the number of studies made on the subject in the West has been considerable. Yet, in spite of the fact that so much of the unique brilliance of the kabuki stage depends on the character of its music, the manner in which it is used, and its integral connection with the development of the dramatic impact of the plays, very little has been written on this phase of the genre. Of particular interest are the attempts to explore the various approaches to form music in the vast repertoire of this living art music. The playing techniques of the instruments are explained, and the relations of each instrument's music to the vocal line and to the overall design is shown. The analysis is accompanied by two compete transcription of nagauta in Western notation. These transcriptions are the first complete scores of nagauta ever printed. Additional musical examples, bibliography, discography, and glossary-index add value to the text.
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