Music at the Limits
(eBook)

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Published
Columbia University Press, 2007.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780231511551

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Citations

APA Citation, 7th Edition (style guide)

Edward W. Said., & Edward W. Said|AUTHOR. (2007). Music at the Limits . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Edward W. Said and Edward W. Said|AUTHOR. 2007. Music At the Limits. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Edward W. Said and Edward W. Said|AUTHOR. Music At the Limits Columbia University Press, 2007.

MLA Citation, 9th Edition (style guide)

Edward W. Said, and Edward W. Said|AUTHOR. Music At the Limits Columbia University Press, 2007.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID4b7e88ff-e8e5-5f13-7767-2f0878dcb65d-eng
Full titlemusic at the limits
Authorsaid edward w
Grouping Categorybook
Last Update2022-10-18 21:40:45PM
Last Indexed2024-04-20 00:50:21AM

Book Cover Information

Image Sourcehoopla
First LoadedSep 19, 2022
Last UsedDec 17, 2023

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    [synopsis] => Music at the Limits is the first book to bring together three decades of Edward W. Said's essays and articles on music. Addressing the work of a variety of composers, musicians, and performers, Said carefully draws out music's social, political, and cultural contexts and, as a classically trained pianist, provides rich and often surprising assessments of classical music and opera. Music at the Limits offers both a fresh perspective on canonical pieces and a celebration of neglected works by contemporary composers. Said faults the Metropolitan Opera in New York for being too conservative and laments the way in which opera superstars like Pavarotti have "reduced opera performance to a minimum of intelligence and a maximum of overproduced noise." He also reflects on the censorship of Wagner in Israel; the worrisome trend of proliferating music festivals; an opera based on the life of Malcolm X; the relationship between music and feminism; the pianist Glenn Gould; and the works of Mozart, Bach, Richard Strauss, and others. Said wrote his incisive critiques as both an insider and an authority. He saw music as a reflection of his ideas on literature and history and paid close attention to its composition and creative possibilities. Eloquent and surprising, Music at the Limits preserves an important dimension of Said's brilliant intellectual work and cements his reputation as one of the most influential and groundbreaking scholars of the twentieth century.
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