Cool Men and the Second Sex
(eBook)

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Published
Columbia University Press, 2003.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780231503327

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Citations

APA Citation, 7th Edition (style guide)

Susan Fraiman., & Susan Fraiman|AUTHOR. (2003). Cool Men and the Second Sex . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Susan Fraiman and Susan Fraiman|AUTHOR. 2003. Cool Men and the Second Sex. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Susan Fraiman and Susan Fraiman|AUTHOR. Cool Men and the Second Sex Columbia University Press, 2003.

MLA Citation, 9th Edition (style guide)

Susan Fraiman, and Susan Fraiman|AUTHOR. Cool Men and the Second Sex Columbia University Press, 2003.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID194d8b77-d2d6-10a2-4690-7b03e3afe2e1-eng
Full titlecool men and the second sex
Authorfraiman susan
Grouping Categorybook
Last Update2022-10-18 21:40:45PM
Last Indexed2024-04-19 23:53:11PM

Book Cover Information

Image Sourcehoopla
First LoadedAug 27, 2023
Last UsedDec 7, 2023

Hoopla Extract Information

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    [synopsis] => Academic superstars Andrew Ross, Edward Said, and Henry Louis Gates, Jr. Bad boy filmmakers Quentin Tarantino, Spike Lee, and Brian de Palma. What do these influential contemporary figures have in common? In Cool Men and the Second Sex, Susan Fraiman identifies them all with "cool masculinity" and boldly unpacks the gender politics of their work. According to Fraiman, "cool men" rebel against a mainstream defined as maternal. Bad boys resist the authority of women and banish mothers to the realm of the uncool. As a result, despite their hipness -- or because of it -- these men too often feel free to ignore the insights of feminist thinkers. Through subtle close readings, Fraiman shows that even Gates, champion of black women's writing, and even queer theorists bent on undoing gender binaries, at times end up devaluing women in favor of men and masculinity. A wide-ranging and fair-minded analysis, Cool Men acknowledges the invaluable contributions of its subjects while also deciphering the gender codes and baring the contradictions implicit in their work. Affirming the legacy of second-wave feminist scholars and drawing as well on the intersectional work of third-wavers, Cool Men helps to reinvent feminist critique for the twenty-first century.
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