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Parkstone International, 2011.
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APA Citation (style guide)

Virginia Pitts Rembert., & Virginia Pitts Rembert|AUTHOR. (2011). Bosch. Parkstone International.

Chicago / Turabian - Author Date Citation (style guide)

Virginia Pitts Rembert and Virginia Pitts Rembert|AUTHOR. 2011. Bosch. Parkstone International.

Chicago / Turabian - Humanities Citation (style guide)

Virginia Pitts Rembert and Virginia Pitts Rembert|AUTHOR, Bosch. Parkstone International, 2011.

MLA Citation (style guide)

Virginia Pitts Rembert, and Virginia Pitts Rembert|AUTHOR. Bosch. Parkstone International, 2011. Web.

Note! Citation formats are based on standards as of July 2010. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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Grouping Information

Grouped Work ID0d09be42-3aa6-fe85-7d2c-344e3df39ed8
Full titlebosch
Authorrembert virginia pitts
Grouping Categorybook
Last Update2020-06-23 12:36:57PM
Last Indexed2020-10-27 05:23:54AM

Hoopla Extract Information

stdClass Object
    [year] => 2011
    [artist] => Virginia Pitts Rembert
    [coverImageUrl] =>
    [titleId] => 11935888
    [isbn] => 9781780424699
    [abridged] => 
    [language] => ENGLISH
    [profanity] => 
    [title] => Bosch
    [demo] => 
    [segments] => Array

    [pages] => 82
    [children] => 
    [artists] => Array
            [0] => stdClass Object
                    [name] => Virginia Pitts Rembert
                    [relationship] => AUTHOR


    [genres] => Array
            [0] => Art
            [1] => European
            [2] => History
            [3] => Individual Artists
            [4] => Monographs
            [5] => Painting
            [6] => Religious
            [7] => Subjects & Themes
            [8] => Techniques

    [price] => 0.49
    [id] => 11935888
    [edited] => 
    [kind] => EBOOK
    [active] => 1
    [upc] => 
    [synopsis] => Hieronymus Bosch was painting frightening, yet vaguely likable monsters long before computer games were ever invented, often including a touch of humor. His works are assertive statements about the mental illness that befalls any man who abandons the teachings of Christ. With a life that spanned from 1450 to 1516, Bosch experienced the drama of the highly charged Renaissance and its wars of religion. Medieval tradition and values were crumbling, paving the way to thrust man into a new universe where faith lost some of its power and much of its magic. Bosch set out to warn doubters of the perils awaiting any and all who lost their faith in God. His favorite allegories were heaven, hell, and lust. He believed that everyone had to choose between one of two options: heaven or hell. Bosch brilliantly exploited the symbolism of a wide range of fruits and plants to lend sexual overtones to his themes, which author Virginia Pitts Rembert meticulously deciphers to provide readers with new insight into this fascinating artist and his works.
    [url] =>
    [pa] => 
    [publisher] => Parkstone International