Spinifex & Sunflowers

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Fremantle Press, 2018.
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APA Citation (style guide)

Avan Judd Stallard., & Avan Judd Stallard|AUTHOR. (2018). Spinifex & Sunflowers. Fremantle Press.

Chicago / Turabian - Author Date Citation (style guide)

Avan Judd Stallard and Avan Judd Stallard|AUTHOR. 2018. Spinifex & Sunflowers. Fremantle Press.

Chicago / Turabian - Humanities Citation (style guide)

Avan Judd Stallard and Avan Judd Stallard|AUTHOR, Spinifex & Sunflowers. Fremantle Press, 2018.

MLA Citation (style guide)

Avan Judd Stallard, and Avan Judd Stallard|AUTHOR. Spinifex & Sunflowers. Fremantle Press, 2018. Web.

Note! Citation formats are based on standards as of July 2010. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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Grouped Work IDed8e868c-7a69-ec4d-b706-3704f854968c
Full titlespinifex and sunflowers
Authorstallard avan judd
Grouping Categorybook
Last Update2020-07-04 19:08:41PM
Last Indexed2020-09-18 11:19:19AM

Book Cover Information

Image Sourcehoopla
First LoadedJul 8, 2020
Last UsedJul 8, 2020

Hoopla Extract Information

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    [synopsis] => Nick Harris has been drifting for years – until the day he finds himself amid red dirt and razor wire, a refugee-prison guard in a detention center. Nick is no crusader and no bleeding-heart. He's just a man in debt who needs a job. Time passes slowly behind the wire, no matter who you are. To distract themselves, the asylum seekers tell Nick about their lives and cultures, and the families they have left behind. They steal from him with good humour, and swear at him with bad. Nick breaks all the rules: slacking off when he guards the cordial machine, swimming with crocodiles, brawling with locals, romancing workmates. And then there is the cardinal sin – becoming friends with the detainees. --- The novel is a realistic window into the hidden world of immigration detention centres, drawn from the experience of a former guard. It is one man's vision, looking through the wire at the people locked inside our desert prisons, and looking out at the people who put them there.
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