A Theory of Musical Narrative
(eBook)

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Published
Indiana University Press, 2017.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780253030283

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Citations

APA Citation, 7th Edition (style guide)

Byron Almen., & Byron Almen|AUTHOR. (2017). A Theory of Musical Narrative . Indiana University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Byron Almen and Byron Almen|AUTHOR. 2017. A Theory of Musical Narrative. Indiana University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Byron Almen and Byron Almen|AUTHOR. A Theory of Musical Narrative Indiana University Press, 2017.

MLA Citation, 9th Edition (style guide)

Byron Almen, and Byron Almen|AUTHOR. A Theory of Musical Narrative Indiana University Press, 2017.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDc660a586-d9be-6df4-9c2c-9bce85bb232f-eng
Full titletheory of musical narrative
Authoralmen byron
Grouping Categorybook
Last Update2023-08-26 20:59:04PM
Last Indexed2024-05-04 02:05:26AM

Book Cover Information

Image Sourcehoopla
First LoadedDec 16, 2022
Last UsedDec 16, 2022

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    [synopsis] => Byron Almén proposes an original synthesis of approaches to musical narrative from literary criticism, semiotics, historiography, musicology, and music theory, resulting in a significant critical reorientation of the field. This volume includes an extensive survey of traditional approaches to musical narrative illustrated by a wide variety of musical examples that highlight the range and applicability of the theoretical apparatus. Almén provides a careful delineation of the essential elements and preconditions of musical narrative organization, an eclectic analytical model applicable to a wide range of musical styles and repertoires, a classification scheme of narrative types and subtypes reflecting conceptually distinct narrative strategies, a wide array of interpretive categories, and a sensitivity to the dependence of narrative interpretation on the cultural milieu of the work, its various audiences, and the analyst. A Theory of Musical Narrative provides both an excellent introduction to an increasingly important conceptual domain and a complex reassessment of its possibilities and characteristics.
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