Antiques: The History of an Idea
(eBook)

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Published
Cornell University Press, 2011.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780801463815

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Citations

APA Citation, 7th Edition (style guide)

Leon Rosenstein., & Leon Rosenstein|AUTHOR. (2011). Antiques: The History of an Idea . Cornell University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Leon Rosenstein and Leon Rosenstein|AUTHOR. 2011. Antiques: The History of an Idea. Cornell University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Leon Rosenstein and Leon Rosenstein|AUTHOR. Antiques: The History of an Idea Cornell University Press, 2011.

MLA Citation, 9th Edition (style guide)

Leon Rosenstein, and Leon Rosenstein|AUTHOR. Antiques: The History of an Idea Cornell University Press, 2011.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID86f64027-96d0-1bc9-ee96-3e71b722ff15-eng
Full titleantiques the history of an idea
Authorrosenstein leon
Grouping Categorybook
Last Update2023-05-11 20:04:29PM
Last Indexed2024-04-13 01:30:08AM

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First LoadedNov 18, 2023
Last UsedNov 18, 2023

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    [synopsis] => The notion of retrieving a bit of the past-by owning a material piece of it-has always appealed to humans. Often our most prized possessions are those that have had a long history before they came into our hands. Part of the pleasure we gain from the encounter with antiques stems from the palpable age and the assumed (sometimes-imaginary) cultural resonances of the particular object. But precisely what is it about these objects that creates this attraction? What common characteristics do they share and why and how do these traits affect us as they do? In Antiques: The History of an Idea, Leon Rosenstein, a distinguished philosopher who has also been an antiques dealer for more than twenty years, offers a sweeping and lively account of the origin and development of the antique as both a cultural concept and an aesthetic category. He shows that the appeal of antiques is multifaceted: it concerns their value as commodities, their age and historical and cultural associations, their uniqueness, their sensuous and tactile values, their beauty. Exploring how the idea of antiques evolved over time, Rosenstein chronicles the history of antique collecting and connoisseurship. He describes changing conceptions of the past in different epochs as evidenced by preservations, restorations, and renascences; examines shifting attitudes toward foreign cultures as revealed in stylistic borrowings and the importation of artifacts; and investigates varying understandings of and meanings assigned to their traits and functions as historical objects. While relying on the past for his evidence, Rosenstein approaches antiques from an entirely original perspective, setting history within a philosophical framework. He begins by providing a working definition of antiques that distinguishes them from other artifacts in general and, more distinctly, both from works of fine art and from the collectible detritus of popular culture. He then establishes a novel set of criteria for determining when an artifact is an antique: ten traits that an object must possess in order to elicit the aesthetic response that is unique to antiques. Concluding with a provocative discussion of the relation between antiques and civilization, this engaging and thought-provoking book helps explain the enduring appeal of owning a piece of the past.
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