Cybernethisms: Aldo Giorgini's Computer Art Legacy
(eBook)

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Published
Purdue University Press, 2015.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781612493749

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Citations

APA Citation, 7th Edition (style guide)

Esteban García Bravo., & Esteban García Bravo|AUTHOR. (2015). Cybernethisms: Aldo Giorgini's Computer Art Legacy . Purdue University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Esteban García Bravo and Esteban García Bravo|AUTHOR. 2015. Cybernethisms: Aldo Giorgini's Computer Art Legacy. Purdue University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Esteban García Bravo and Esteban García Bravo|AUTHOR. Cybernethisms: Aldo Giorgini's Computer Art Legacy Purdue University Press, 2015.

MLA Citation, 9th Edition (style guide)

Esteban García Bravo, and Esteban García Bravo|AUTHOR. Cybernethisms: Aldo Giorgini's Computer Art Legacy Purdue University Press, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID31b91385-59a2-6c82-db6a-3ad1ce4f5935-eng
Full titlecybernethisms aldo giorginis computer art legacy
Authorbravo esteban garcía
Grouping Categorybook
Last Update2023-08-26 20:59:04PM
Last Indexed2024-04-13 00:25:31AM

Book Cover Information

Image Sourcehoopla
First LoadedSep 1, 2023
Last UsedSep 1, 2023

Hoopla Extract Information

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    [synopsis] => Working extensively as both artist and scientist, Aldo Giorgini (1934-1994) was one of the first computer artists to combine software writing with early printing technologies. His innovative process involved producing pen-plotted drawings that were embellished by painting, drawing, photography, and screen printing. This biography is the first to uncover the remarkable work and life of an underappreciated artist, providing insights into the innovative methods and computerized techniques he used to weave creations that seamlessly combined technological sophistication with artistic sensibility.

Buried manuscripts, documentation, and art taken directly from Giorgini's former studio in Indiana have been used to tell the story of this digital pioneer. The book explores the artist's life as a professor of civil engineering at Purdue University as well as providing a catalog of his artistic contributions. Placing his work in the context of the wider development of computer art, the book also presents a valuable contribution to the history of the field. Giorgini's papers have been recently transferred to Purdue University's Virginia Kelly Karnes Archives and Special Collections Research Center, where they will be preserved and made accessible for future researchers of digital media art history. While complete in itself, this book also plays an important role in contextualizing and providing an access point for that collection.
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