Childe Harold's Pilgrimage: Cantos III & IV
(eAudiobook)

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Published
Freshwater Seas, 2010.
Status
Available Online

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Physical Description
2h 49m 0s
Format
eAudiobook
Language
English
ISBN
9781933311678

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Citations

APA Citation, 7th Edition (style guide)

Lord Byron., Lord Byron|AUTHOR., Henry James|AUTHOR., & Robert Bethune|READER. (2010). Childe Harold's Pilgrimage: Cantos III & IV . Freshwater Seas.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Lord Byron et al.. 2010. Childe Harold's Pilgrimage: Cantos III & IV. Freshwater Seas.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Lord Byron et al.. Childe Harold's Pilgrimage: Cantos III & IV Freshwater Seas, 2010.

MLA Citation, 9th Edition (style guide)

Lord Byron, Lord Byron|AUTHOR, Henry James|AUTHOR, and Robert Bethune|READER. Childe Harold's Pilgrimage: Cantos III & IV Freshwater Seas, 2010.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDa50681ab-cb7f-6925-88d7-f480d43bb5e5-eng
Full titlechilde harolds pilgrimage cantos iii and iv
Authorbyron lord
Grouping Categorybook
Last Update2022-10-18 21:40:45PM
Last Indexed2024-04-20 02:19:59AM

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First LoadedJul 5, 2023
Last UsedAug 12, 2023

Hoopla Extract Information

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    [synopsis] => With Childe Harold's Pilgrimage, cantos III and IV, Byron comes to the high point of his work and to clear and definite mastery of his art as a poet. Though he himself doubts his powers - he says his visions no longer swim so palpably before his eyes as once they did - his visions are far more palpable to us, expressed as they are with the full depth of his romantic and passionate feelings. He continues the device of the journey of the fictional Harold, but Harold is almost a ghost; the thin disguise and facade that separates him from the poet essentially vanishes. Even the concept of his pilgrimage fades; Byron is not concerned nearly as much with places and people in this canto as he is with art and ideas. The place that means the most to him is no longer a human habitation, but the world of Nature, in which the inmost depths of his heart is reflected.

He writes, "There is a pleasure in the pathless woods, There is a rapture on the lonely shore, There is society, where none intrudes, By the deep sea, and music in its roar: I love not man the less, but Nature more, From these our interviews, in which I steal From all I may be, or have been before, To mingle with the Universe, and feel What I can ne'er express, yet cannot all conceal." Byron spends this last portion of his pilgrimage in that special place, that realm of the spirit and the soul, where what matters is the highest achievements of art. Out of that place is his poem made.
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