Homemade Academic Circus: Idiosyncratically Embodied Explorations Into Artistic Research And Circus Performance
(eBook)

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Published
John Hunt Publishing, 2016.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781782799023

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Citations

APA Citation, 7th Edition (style guide)

Camilla Damkjaer., & Camilla Damkjaer|AUTHOR. (2016). Homemade Academic Circus: Idiosyncratically Embodied Explorations Into Artistic Research And Circus Performance . John Hunt Publishing.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Camilla Damkjaer and Camilla Damkjaer|AUTHOR. 2016. Homemade Academic Circus: Idiosyncratically Embodied Explorations Into Artistic Research And Circus Performance. John Hunt Publishing.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Camilla Damkjaer and Camilla Damkjaer|AUTHOR. Homemade Academic Circus: Idiosyncratically Embodied Explorations Into Artistic Research And Circus Performance John Hunt Publishing, 2016.

MLA Citation, 9th Edition (style guide)

Camilla Damkjaer, and Camilla Damkjaer|AUTHOR. Homemade Academic Circus: Idiosyncratically Embodied Explorations Into Artistic Research And Circus Performance John Hunt Publishing, 2016.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID5fcbe156-37db-3635-da53-265480a8543e-eng
Full titlehomemade academic circus idiosyncratically embodied explorations into artistic research and circus performance
Authordamkjaer camilla
Grouping Categorybook
Last Update2022-10-18 21:40:45PM
Last Indexed2024-04-20 01:11:43AM

Book Cover Information

Image Sourcehoopla
First LoadedOct 12, 2022
Last UsedSep 12, 2023

Hoopla Extract Information

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    [synopsis] => This book takes its starting point in a rare experiment, that of an academic researcher attempting to learn to do circus. What happens to the knowledge of the performance theoretician when physically engaging with the circus arts? One of the (im)material outcomes of this experiment is what the author calls "homemade academic circus" - a series of lecture-performances on performance-related academic questions, presented and discussed through circus disciplines. The interest of homemade academic circus, and the analysis of it presented in this book, lies not only in the fact that it is a form of curiosity within academic research. It is also worth noting that the main character in this experiment (sometimes known as, the "professional amateur" or the "academic freak", the alter egos of the researcher) goes through, the opposite process of what many artists within artistic and practice-based research experience today. What happens if, rather than going from art to academia, one would go from academia to art? Which cultural and paradigmatic shocks would that produce, and how would that influence the researcher's understanding of knowledge and thinking?
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